Message 51/65
Date: 10-Feb-04 @ 07:50 PM -
RE: bask in this my minions!
Let it be said that electronic music NEVER learns how to "leave the audience wanting more". Instead, like a spoiled, immature little child, it shamelessly and greedily exploits any whiff of success it sees, to cartoonish extremes.
TRANCE drenched itself in the "should've been put to rest years ago" one-trick breakdown-build-anthem formula and senselessly driven it to new, insane levels of assinine.
Some songs have ridiculously long and drawn out breakdowns. Each song tries to outdo last week's hit anthem, reaching higher and higher, making the genre louder, fuller, and more exalted and gradiose. Good god, does this ever suck. The way megatrance producers shamelessly cash in on a particular sound is insulting sometimes. How can anyone take this trite, derivative garbage seriously? It's a bombastic, pompous, over-the-top, monstrously grotesque caricature of what trance used to be. It sounds like a really bad and corny Hollywood love scene.
This is the musical equivalent of drowning a meal in ketchup so you can't taste the original flavour anymore.
This is the musical equivalent of using big, obfuscating words in an effort to sound intelligent, but everyone knows you're just full of shit.
This music is the bargain bin of electronic music. It also encompasses those signature-melody tracks that are always packaged in 'BEST CLUB ANTHEMS EVER' compilations, which are the musical equivalent of junk food.
If you have any form of music to blame for electronic dance music hitting the mainstream, Trance it is. And that really, truly, terribly sucks.