12time.mid
BEATS |
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3
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4
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kik |
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drum |
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accent |
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raga+kik |
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well, the thing is this... alot of jungle now uses straight drumbeats... but, the KEY to jungle is 3 time.... like, in reggae, you get a 3 time break... this eveloved into ragga, which was 3 time accented thruout... so the key is... you need to count...123-123-12 - 123-123-12....
thing is, a huge amount of african music is 3 time, and this carried over into music like Blues.. a typical old blues riff has a 3 time beat on the ride or hats, while the kik and snare use a 4 time... same in flamenco... which is again influenced by arab music... it all binds together, cos 3 & 4 are all devisible and work out as long as you accent it right and add in some 1/2 beats of 2 to round it up to 4, 8, 16 etc...... as in 3+3+2=8 or 3+3+3+3+2+2=16
flamenco uses this beat: 123-123-123-12-12...it is a 12 time derivative.. but again, the key is 3 time.. most african & arabic persian, egyptian etc music uses 3 time...
in your typical reggea 3 time break, it is an 8 beat break in triplets over a single bar at double-time.... so... to make a full bar of 4/4 - 3time break... you get...:
123-123-12.. makes 8 total... in reggea, as a drummer, you'll bust 8 of those in succession with a roll out at the end, and a small roll possibly between each set of 4... you roll out into the drop beat again at which point, the tempo halves again.... when you roll out into the beat, the trplet is the feel for the hats.. and the kik & snare then double-up...
like, you know in jungle alot of the time the bassline is half the tempo of the beat.... hence jungle is tempo's at 2 x the standard reggea average tempo (around 80bpm)...
so... first you need the 3 time break.... this is the whole basis for the jungle feel.... here's a file above of a 3 time break over 2 bars...
understand that.. and you have jungle... all you do is fill in the spaces between snare beats to make faster roll variation... ITS ALL DOWN TO THE ACCENTED OFFBEATS WHICH MAKE IT ... also, add-in extra kik-drums... just open the file in your sequencer, then try adding in ONE extra kik-drum in different places to get different variations... try the extra kiks and when you get the idea, you'll be sailing...
in one Ghanaian riddim this beat is sung as something like:
can-i-have-some-more-please
can-i-have-some-more-please
yes---you-------can
yes---you-------can
or...
123-123-12
123-123-12
1---2----3
1---2----3
listen to the file, and all will be clear...
the pattern below needs accents to make it work... accent on the second drum is added in the grid
notice how the kik drum accents the 3 time beats... and also remember, the second key is the bassline, which is played at half the tempo...
all in all, i reckon this is die to the creation of jungle as being from a DJ playing on one deck an old bub-line, and on the other, a breakbeat played at doubletime from an album played at 45rpm... from there, you simply 'Push' the break beat or fast-fade it in the traditional dub-style to get the breakbeat accent...
fast-fading is the origin of the threetime break in dub... in the old days, you'd get a dub running on the mixer, grab the master fader, and 'PUMP' it.. in that riddim...
fade-2-3 / fade-2-3 / fade-2
fade-2-3 / fade-2-3 / fade-2
... like that... then drummers started doing it live... and this became ragga....
anyways... listen to the file, and you'll get it ok....
ive added in the old Mighty-Diamonds bassline from 'Pass-the-kootchie' (or however the hell you spell it), just to give you an idea of the bassline tempo... (well, it's pretty close to the bassline from that song anyways)...